A Raisin in the Sun - When it was first produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award for that season and hailed as a watershed in American drama. A pioneering work by an African-American playwright, the play was a radically new representation of black life.
Fahrenheit 451 - The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.The classic novel of a post-literate future `Fahrenheit 451' stands alongside Orwell's `1984' and Huxley's `Brave New World' as a prophetic account of Western civilization's enslavement by the media, drugs and conformity. Bradbury's powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which over fifty years from first publication, still has the power to dazzle and shock.
One Day in the Life of Ivan Denisovich - The first published novel from the controversial Nobel Prize winning Russian author of The Gulag Archipelago. In the madness of World War II, a dutiful Russian soldier is wrongfully convicted of treason and sentenced to ten years in a Siberian labor camp. So begins this masterpiece of modern Russian fiction, a harrowing account of a man who has conceded to all things evil with dignity and strength. First published in 1962, One Day in the Life of Ivan Denisovich is considered one of the most significant works ever to emerge from Soviet Russia. Illuminating a dark chapter in Russian history, it is at once a graphic picture of work camp life and a moving tribute to man's will to prevail over relentless dehumanization. Includes an Introduction by Yevgeny Yevtushenko and an Afterword by Eric Bogosian